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The Newsletter 101 Winter 2025
The Newsletter 101 Winter 2025
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From the director
A New Model for a Global Knowledge Community
The Study
Trading Gems and Knowing the Earth in Early Modern Eurasia
‘Changing the World’? Socialist Realism and Art in the Asia-Pacific
A Dispatch from China: Platform Economy, Labor Precarity, and Literary Voices
A Tailor Street in Singapore’s Chinatown
Remained in Between: The Story of Migrant Game Developers in South Korea
Doing It as Trailblazers! Indie Game Developers in Japan and South Korea
On Tiny Cups: Tracing the Invisible Routes of Coffee Culture
The Focus
The Focus
Culture in the Khmer Republic
Republican Archives: Crossed Perspectives on the Khmer Republic and the Republic of South Vietnam
Recovering the History of the Losing Side: Historical Research and the Republic of Vietnam
Surprising Testimonies: Retracing the Trajectories of Highland Minority Refugee-Soldiers under the Khmer Republic
Intergenerational Memory and Family Archives
A Living Material Archive of the Republic of Vietnam: The Case of the Biên Hoà Military Cemetery
Researching the Mystery of Son Ngoc Thanh
The Golden Voice: Graphic Novels and the Khmer Republic
Photography and the Documentation of Memory
The Region
News from Australia and the Pacific
News from Southeast Asia
The Hong Kong History Centre at the University of Bristol
The Tone
The Tone
Pop Pacific
Pop Pacific: Stories from Around the World
How Have You Never Heard of "Lady Oscar"?: A Snapshot of Growing up an Otaku in Francophone Africa
K-pop in India: How the "Hallyu" Wave Swept through My Life and India
K–pop in Distance: An Uzbek Fan's Perspective
"Hallyu" on High Street: Tāmaki Makaurau Auckland As a Site of Urban K-Pop Culture
Fangirling at 40: A K-pop Fan’s Journey from Manila to Seoul
The Bottom Line of Jazz in Korea
The Network
11 Dec 2025
Seminar
New Perspectives on the Presentation of Japanese Art II
River Revitalization in Nairobi
Correcting My Myopia on Africa-Asia Relations
Indigenous Heritage and Identity of the Last Elephant Catchers in Northeast Thailand
The Imprint
The Imprint - Martin Chautari